Lucio Fulci’s filmography is littered with bodies gruesomely snuffed out. There is a deep vein of cynicism running through the center of Don’t Torture a Duckling.
As with his previous film, Miraglia takes the modern setting integral to the spirit of gialli and dresses it up in a bit of old-fashioned Gothic spookiness by, once again, setting a portion of it in a moody Gothic estate full of dark secret passages and dungeon chambers.
Sergio Sollima didn’t direct very many films. His career is split fairly evenly between theatrical and televised fare. Devil in the Brain is not what anyone would consider a technically outstanding movie, but it is solid in its craftsmanship.
In fairness, there does seem to be a genuine attempt to create an actual film here. Take the word “attempt” literally in this case. Moments of suspense and dread, though presented with apparent sincerity, are nonetheless clumsily presented few and far between.
With Eye in the Labyrinth, Caiano demonstrates a sure hand in orchestrating his players, staging the action in striking tableaux, and allowing his creative muscles to stretch.