Inframan

The Super Inframan

The greatest compliment you could pay an exploitation film is to say it looks like they designed the poster first and then recreated it on screen. This describes Inframan perfectly. Every scene could be bullet-pointed with the word “SEE!” SEE! Hong Kong engulfed in flames! SEE! The sorceress with an army of kung fu monsters!

Island of Death

Island of Death

Twists are heaped upon perversions until the whole thing threatens to collapse into one giddily irredeemable pile of filth that happily violates any taboo of which it could think, and then finds a way to make it all weirder still.

Devil in the Brain

Sergio Sollima didn’t direct very many films. His career is split fairly evenly between theatrical and televised fare. Devil in the Brain is not what anyone would consider a technically outstanding movie, but it is solid in its craftsmanship.

Naked Girl Killed in the Park

In fairness, there does seem to be a genuine attempt to create an actual film here. Take the word “attempt” literally in this case. Moments of suspense and dread, though presented with apparent sincerity, are nonetheless clumsily presented few and far between.

Eye in the Labyrinth

With Eye in the Labyrinth, Caiano demonstrates a sure hand in orchestrating his players, staging the action in striking tableaux, and allowing his creative muscles to stretch.

Hatchet for a Honeymoon

Hatchet for the Honeymoon

Hatchet for the Honeymoon is not the kind of film to watch for a kill count or ingenuous murders. It is the kind of film to watch for paranormal and sartorial phenomena, ghosts, discotheques, mysterious deaths, horrifying old toys, and the narration of a “paranoiac.”

The Forbidden Photos of a Lady Above Suspicion

Forbidden Photos concerns itself with only one murder, rather than a series of them, which might, for some, put it at a distance from the giallo genre as a whole. If you are someone who comes to giallo cinema primarily for its stylized violence that will likely be the case.