Seijun Suzuki has had the term “Maverick Director” affixed to his name like some kind of mandatory honorific. He never would have had the opportunity to achieve maverick status had he not also been able to deliver the straightforward genre pictures that he had been hired to create.
With Eye in the Labyrinth, Caiano demonstrates a sure hand in orchestrating his players, staging the action in striking tableaux, and allowing his creative muscles to stretch.
Adinath, a saintly jailer, undertakes an experiment involving six of his prison’s most hardened criminals. Under this arrangement, the prisoners will be freed under his care and taken to a barren stretch of land where they will set up a communal farm.
Few giallo directors were as adept at melding the sundry fetishes that defined the movement as Luciano Ercoli. Nudity, violence, cabaret numbers, quirky camera work, exquisite living rooms, and flash clothing all hit their crescendo under the steady guidance of a man who seems to treat every film as a fashion shoot.
Hatchet for the Honeymoon is not the kind of film to watch for a kill count or ingenuous murders. It is the kind of film to watch for paranormal and sartorial phenomena, ghosts, discotheques, mysterious deaths, horrifying old toys, and the narration of a “paranoiac.”
Forbidden Photos concerns itself with only one murder, rather than a series of them, which might, for some, put it at a distance from the giallo genre as a whole. If you are someone who comes to giallo cinema primarily for its stylized violence that will likely be the case.
In a sense, Antonioni has made a movie about the movie he is making, and his final conclusion, if it is indeed a conclusion, is a bit sad. Thomas chases the meaning of the photographs he has taken, but he never gets there. In the end, everything he has done vanishes.
When it came time for Mario Bava to turn in his version of a Hitchcock movie, he picked up on that underlying current of malicious giddiness and ratcheted it up. In Blood and Black Lace, Bava is a peasant let loose to demolish a nobleman’s home.